United States District Court, S.D. Indiana, Indianapolis Division
CAROL L. SISSOM, Plaintiff,
ROBERT L. SNOW, et al., Defendants.
ENTRY ON MOTION TO DISMISS
WILLIAM T. LAWRENCE, District Judge.
This cause is before the Court on the Defendants' motion to dismiss the Plaintiff's amended complaint. The motion is fully briefed and the Court, being duly advised, GRANTS the motion for the reasons set forth below.
Plaintiff Carol Sissom is the author of The LaSalle Street Murders, a book that was published in 2006 and is the subject of a registered copyright. Sissom alleges that Slaughter on North LaSalle, a book written by Defendant Robert Snow and published in 2012, infringes her copyright of The LaSalle Street Murders.
The title of each book refers to a triple homicide that took place in 1971 in a home on LaSalle Street in Indianapolis. Sissom's book is, as she describes it, "the true story of [Sissom's] life and the relationship [she] had with the one and only man arrested for the most sensational, celebrated, gruesome, unsolved murders in the history of the city of Indianapolis, Indiana." The LaSalle Street Murders (Disclaimer Page). It is the firsthand account of how Sissom, a journalist, conducted an investigation into the murders twenty years after they occurred. Sissom's investigation led her to develop a relationship with Carroll Horton, whose former wife had dated one of the murder victims. Based upon conversations with a man in prison for another murder in Florida, Sissom eventually concluded that Horton was one of the perpetrators of the murders. In fact, Horton was indicted for the murders in 1996, but the charges against him were dismissed.
Snow's book is divided into three parts. The first part describes, in detail, the initial investigation into the murders and the various suspects and theories that were considered and rejected by the detectives working the case. The second part of Slaughter on North LaSalle picks the story up in 1991 and tells the story of Sissom's investigation and how it returned both police and media attention to the unsolved murders. Snow describes Sissom's investigation-or, more accurately, Sissom's account of her investigation-and criticizes many of the conclusions she drew, at times presenting contradictory information from other sources. In the final part of his book, Snow introduces Detective Sergeant Roy West and describes how West investigated a new lead regarding the LaSalle Street murders beginning in late 2000 and ultimately concluded that a man named Fred Harbison had committed the murders and had been hired to do so by another man, Ted Uland, who had been a suspect during the original investigation. Snow agrees with West's conclusion and considers the case closed.
The Defendants move to dismiss Sissom's complaint on the ground that Snow's book does not infringe Sissom's book as a matter of law. In addressing the motion, the Court must construe the allegations in the amended complaint in the light most favorable to Sissom "in order to determine whether [she] has stated a plausible claim for copyright infringement." Hobbs v. John, 722 F.3d 1089, 1094 (7th Cir. 2013) (citations omitted). In addition to the allegations in the amended complaint, the Court has reviewed the two books at issue, which properly were submitted by the Defendants as exhibits to their motion to dismiss. See, e.g., Brownmark Films, LLC v. Comedy Partners, 682 F.3d 687, 690 (7th Cir. 2012) ("It is well settled that in deciding a Rule 12(b)(6) motion, a court may consider documents attached to a motion to dismiss if they are referred to in the plaintiff's complaint and are central to his claim." In effect, the incorporation-by-reference doctrine provides that if a plaintiff mentions a document in his complaint, the defendant may then submit the document to the court without converting defendant's 12(b)(6) motion to a motion for summary judgment.") (citation omitted).
To establish a copyright infringement claim, a plaintiff must prove "(1) ownership of a valid copyright; and (2) unauthorized copying of constituent elements of the work that are original." Id. (citations omitted). The Defendants do not dispute that Sissom owns a valid copyright; nor can they dispute that Snow used Sissom's book as a source for his own. They argue, however, that Snow used only facts from Sissom's book, and facts are not afforded copyright protection. The Court agrees.
"The mere fact that a work is copyrighted does not mean that every element of the work may be protected. Originality remains the sine qua non of copyright; accordingly, copyright protection may extend only to those components of a work that are original to the author." Feist Publications, Inc. v. Rural Telephone Service Co., Inc., 499 U.S. 340, 348-49 (1991). For that reason, "no author may copyright facts or ideas" and the copyright of a work of nonfiction protects only "those aspects of the work-termed expression'-that display the stamp of the author's originality." Harper & Row, Publishers, Inc. v. Nation Enters., 471 U.S. 539, 547 (1985). "[A] copyright does not prevent subsequent users from copying from a prior author's work those constituent elements that are not original-for example... facts, or materials in the public domain-as long as such use does not unfairly appropriate the author's original contributions." Id. at 578.
Sissom's entire argument with regard to this issue is as follows:
Snow refers to Sissom's book as his source for much of his middle chapter. The attached comparison (Ex. 1) derived from the citation list provided with the complaint shows that Snow paraphrased Sissom's book closely, even verbatim in places. This is substantially similar to Sissom's expression. It looks, to any reader of both books, as if Snow sat down with Sissom's book and paraphrased it, paragraph by paragraph, page by page. Snow retells Sissom's entire story, taking the heart of Sissom's work. No one quibbles with taking the facts of the murder, the location and manner of the killings, the dates. But to paraphrase Sissom's whole story goes too far. He took every key event in Sissom's book. He took the little details that were not needed for his critical purpose, but which enhanced his book. The case law calls for substantial similarity. How much more substantial can one get than to retell the entire story?
Sissom Brief at 5. This argument fails to appreciate the critical distinction between facts and the original expression of those facts. Sissom bases her argument on the "substantial similarity" between the second part of Snow's book and her own. The problem is that two works that tell the same true story will by definition be substantially similar-at least in the way Sissom uses the term-but if the second author uses only the facts from the first he has not infringed on the first author's copyright, because the facts themselves are not protected by the copyright. "[N]o matter how much original authorship the work displays, the facts and ideas it exposes are free for the taking.... [T]he very same facts and ideas may be divorced from the context imposed by the author, and restated or reshuffled by second comers, even if the author was the first to discover the facts or to propose the ideas.'" Feist Publications, Inc., 499 U.S. at 349 (quoting Ginsburg, Creation and Commercial Value: Copyright Protection of Works of Information, 90 Colum.L.Rev. 1865, 1868 (1990)).
The remainder of Sissom's brief devoted to this issue consists of a dozen or so pages of passages from Snow's book that she claims are substantially similar to passages from her own book. What Sissom has failed to do is identify the original expression in each-indeed in any- of the passages she cites as infringing. Indeed, she has failed to provide any analysis at all, essentially just setting out pairs of passages-194 pairs in all including the exhibit filed with her brief-and leaving it to the Court to identify the copyrightable expression amidst the uncopyrightable facts and then determine whether Snow copied any of the former or simply used the latter. "It is not ...